At once familiar and foreign, intimate and distant, this collection of poems by Lauren Elle DeGaine follows the ebb and flow of a romantic relationship full of quiet, tender moments and sudden, frightening conflict. DeGaine employs recurring images, feelings, and impressions to reveal the spiraling circuits we all travel with those we hold most dear, exploring the poetics of love, loss, trajectory, and intersection; “the tear — an ache — not an explanation.” A limited edition of 40 chapbooks have been produced, each bound in hand-made, sage green paper, available now from The Blasted Tree Store.
Constructed from layered up Letraset transfers, Black Square #1 is typographic topography, an exploration of texture and shade, and the geometry of precision and error. The Blasted Tree has produced three limited editions of this visual poem by derek beaulieu at various sizes, each highlighting particular aspects of the work - 50 leaflets printed at scale show how the square looks to the unassisted eye, 10 numbered and signed artist prints magnify and reveal surprising details, and 100 mini-leaflets reduce the image to its superficial geometry. Black Square #1 can be viewed at a high resolution using the link below, and each of the three printed formats are available from our online Store.
Often considered portents of doom, three crows can also signal change, transformation, and rebirth. These three poems (a murder of sorts) transition from one constraint to another; a palindrome, a monometer sonnet, and a perfect anagram by line. The Crows is Anthony Etherin's second outing with The Blasted Tree, and we've produced a limited edition of 50 leaflets to mark the occasion. Read the trio online, then stop by our Store for your copy of the 4" x 9" leaflet, printed black on black with a bright yellow interior.
"Sovereignty" is one of those magic words packed full of anagrammatic possibility. Each of the poems in this six-part series by Franco Cortese are line-by-line anagrams of the titular noun. All six are also subject to additional constraints: they must begin in the form of "ye ___ ___", and refer at least once to each of the following topics/themes: sex, death/decay, vegetation and language/text, in one form or another. Sixty 3" x 4" purple and gold booklets featuring the series have been produced, available now from The Blasted Tree Store.
A suite of glitch poems by Nathan Austin sampling bits of failed optical character recognition from Google’s search results. OCR is meant to identify printed characters using a scanner and computer software, which proves more difficult in practice than in principle. The poems that comprise “Surround Sound” come from an article about composer Eliane Radigue, originally published in frieze magazine in 2011. The suite as presented by the author appears in the online gallery, and a limited edition of 11" x 17" broadsides featuring the series can be purchased from The Blasted Tree's store.
The winner of The Blasted Tree's third flash haiku contest, held on Facebook last Sunday, is Amanda Earl! We've published her haiku into 2.5" x 2.5" mini-leaflets in a limited run of 80 copies. Amanda's poem was selected for its elegiac tone, multivalent natural imagery, and deeply moving turn. (It's another trick entirely to land an earnest "fuck" in a poem, let alone haiku; bonus points awarded.) We loved so many of the entries this round, thanks to everyone who participated in the contest! Copies of the haiku are available from The Blasted Tree Store on metallic grey paper.
University of the Air is an asemic exploration of rubber stamps of the Varsity typeface primarily. The initial message encoded has now been forgotten, as per sigil work. Three images from Billy Mavreas' exploration can be viewed on The Blasted Tree, and we've made a limited edition of folded leaflets from his triptych of visual poetry. Each of the fifty leaflets comes in a decorative envelopewith a descriptive card, available now from The Blasted Tree's Store.
A long poem simulating the tear-out and replacement of an old deck, or a celebration of manual labour, process, and materials. Zane Koss' verse demands work on behalf of his readers, requiring they repair his disjointed lines as they move through the poem, and rewarding us with satisfaction in a job well done. Filled with the language of labour, job site has been made to look like the invoices and packing slips which accumulate on a foreman's clipboard, all bound in familiar construction site materials like vapour barrier, sheathing tape, and house paint. A limited edition of forty numbered chapbooks is available for purchase from The Blasted Tree Store.
Two witchy poems by Calgary-based author Erin Emily Ann Vance. Spellbinding, incantatory, and downright creepy, these poems invoke candlelit rituals read in the dead of night, "blossoming / worship at the alter of your own skin." Vance's work can be read online (if you dare), and 4" x 6.25" fold-out leaflets featuring the pair of poems have been produced in a limited run of 50, available now from The Blasted Tree's Store.
Selected from a series of brief poems well over one hundred parts long, con/tig/u/us strings together ephemeral, non sequitur thoughts into a fragmentary and ever-shifting stream of poetic consciousness. With only a handful of words, Kevin Heslop writes tiny poems opening upon a world of possibility, and with that in mind we've produced a limited edition of tiny hand-bound chapbooks, a mere 2" by 5.25", opening a window into Helsop's larger poetic practice. Fifty copies of con/tig/u/us have been published, now available from The Blasted Tree Store, and you can preview the collection in the online gallery.